3/31/2023 0 Comments Mimi malistSometimes there is worldly motivation for asceticism, such as the so-called “starving artist” who severely simplifies life in order to spend all of their energy and resources on their craft. Though it has evolved in modern times, early believers in this mystical Islamic ideal only wore a rough wool robe (as the name implies) and intensified their devotion through a strict life of modesty and selflessness. no contact with family, no use of electricity, etc.) to purify and discipline themselves and gain self-realization. Examples of this include:įollowers of the Ancient Greek philosophy who reasoned people can be happier by aligning themselves more closely with nature and rejecting all mainstream desires (fame, wealth, power, sex, etc.).Ī community of monks and nuns in India who completely detach from social and secular activities (e.g. ![]() Ascetics give up sensual pleasure and material goods due to the belief that an austere lifestyle is more expedient in the attainment of their religious, spiritual or philosophical goals. There’s a difference between self-denial and self-control. It is important not to confuse that with minimalism. Asceticism is a lifestyle characterized by extreme self-denial or abstinence from worldly pleasures. Let’s start by addressing a common misconception: minimalism is not asceticism. This can apply to your home, work, relationships, wardrobe, finances, possessions, or simply your mindset. Minimalism is the practice of living with the things that you need and nothing more. The definition of a minimalist lifestyle is removing the unnecessary things in life to focus on the essential. Robert Morris, whose sculpture was influenced by avant-garde dance and performance, published a series of texts, arguing for sculpture to be understood in physical and psychological terms and, Sol LeWitt introduced the term Conceptual Art to explain the use of seriality and systemic structure in his cubic grid-like forms.ACCESS NOW What is a minimalist lifestyle? In addition to his role as a sculptor, Judd was a prominent art critic, and his reviews provide eloquent explanations of his intent-shared by Stella and Dan Flavin-to eliminate the illusionism and “subjective” decision-making of traditional painting. Through their writings, Minimalist artists put forth distinctive positions about the work they produced. It is significant that, although Minimalist art shares similar features, the artists associated with the movement developed their aesthetic ideas from variety of philosophical and artistic influences. ![]() Given these facts, it may seem odd to learn that hundreds of essays and books have been written about Minimalism, many by the artists themselves. However, whereas Pop artists depicted recognizable images from kitsch sources, the Minimalists exhibited their plywood boxes, florescent lights and concrete blocks directly on gallery floors, which seemed even more difficult to distinguish as “Art.” (One well-known story tells of an art dealer, who visited Carl Andre’s studio during the winter and unknowingly burned a sculpture for firewood while the artist was away.) Moreover, when asked to explain his black-striped paintings of 1959, Frank Stella responded, “What you see is what you see.” Stella’s comment implied that, not only was there no meaning, but that none was necessary to demonstrate the object’s artistic value. In these ways, both movements were, in part, a response to the dominance of Abstract Expressionism, which had held that painting conveys profound subjective meaning. ![]() Like Pop Art, which emerged simultaneously, Minimalism presented ordinary subject matter in a literal way that lacked expressive features or metaphorical content likewise, the use of commercial processes smacked of mass production and seemed to reject traditional expectations of skill and originality in art. What most people find disturbing about Minimalism is its lack of any apparent meaning.
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